Choose an M4A or AAC file and get a 192 kbps MP3 back, converted inside this browser tab at the
file’s own sample rate wherever the encoder can write it. It is never uploaded and needs no sign-in,
and you can hear what the encode cost before you keep it.
Nothing is uploaded
Process on your device
Hear what it cost
M4A to MP3
Ready.
When an M4A needs to be an MP3
The same recording, in the format more things accept
An M4A is usually AAC audio in an MP4 container. Converting it changes the format: this page applies no
gain, no normalization and no noise reduction to what you recorded, and resamples only a rate the MP3
encoder cannot write.
When something only takes MP3
An upload form, an editor or an older player that lists MP3 and not M4A. The MP3 is a second lossy
encode of audio that was already compressed, so it can match the M4A at best; the page plays the same
moment of both so you can judge that by ear before you keep it.
Converting for ACX? Use the chapter checker
This converter keeps the level as it is, and the sample rate too wherever the encoder can write it: a
48 kHz M4A stays 48 kHz. ACX’s
requirements also ask for RMS between −23 and −18 dB, peaks at −3 dB or lower
and 44.1 kHz. The chapter checker reads M4A too, measures all of them, fixes what fails
and writes the MP3 in the same step.
Quality settings and limits
What the MP3 will be
There is no bitrate menu to get wrong. Every M4A is converted with the same settings, and the result says which applied.
Bitrate
192 kbps, constant bitrate.
Sample rate
The M4A’s own rate when it is 32, 44.1 or 48 kHz. Anything else is resampled to 44.1 kHz, and the page says so.
Channels
Unchanged: mono stays mono, stereo stays stereo.
Length
An M4A has to be decoded whole inside the tab, so it is capped at forty minutes of mono or twenty of stereo. A longer file, such as a full M4B audiobook, is refused by name before any work starts; WAV, AIFF and MP3 have no such cap.
Files
One at a time. To put several recordings into one MP3, the audio joiner reads M4A too.
What it cannot open
An M4A holding Apple Lossless (ALAC) is refused by name, with the Music app steps that export a WAV instead. It reads WAV, AIFF, MP3 and M4A/AAC, and nothing else: it is not a downloader and does not open DRM-protected files.
Where the file goes
Nowhere
Your browser decodes the M4A and this page encodes the MP3, both inside this tab. The tools on this site never
upload your audio, so there is nothing to delete later. There is no queue behind other people’s jobs and
no paid tier for longer files; the limit is your own device.
Choose the M4A. Your browser decodes it inside this tab, the page re-encodes it as a 192 kbps MP3, and the first twenty seconds of both play side by side so you can hear what the encode cost before you download. The file is never sent anywhere.
Does converting M4A to MP3 lose quality?
A little, and it cannot gain any. An M4A is usually AAC, which is already compressed, so the MP3 is a second lossy encode of it and can only be as good as the M4A or slightly worse. Keep the M4A, and judge the MP3 by ear on the page before deleting anything.
Why does my M4A say it holds Apple Lossless?
Some M4As hold Apple Lossless (ALAC) audio rather than AAC, and this page opens only AAC ones. It says so by name and gives the Music app steps that export a WAV instead, which WAV to MP3 then converts.
Is there a length limit for M4A files?
Yes. An M4A has to be decoded whole inside the tab, so it is capped at forty minutes of mono or twenty of stereo, and a longer file is refused by name before any work starts. WAV, AIFF and MP3 are read in chunks and have no such cap.
Can I convert several M4A files at once?
Not on this page: it converts one file at a time. To turn several recordings into a single MP3, the audio joiner reads M4A too and writes them end to end in the order you choose.